Il viaggio

 


















Insieme viaggiamo
Nella notte tranquilla
Fra tante stelle
Scintillando
Sia vive
 Sia morte

Insieme viaggiamo
Nella notte sublime
Mano morbida
Sull'orecchio
l rumori
Cullandoci

Viaggiamo insieme
Nella notte eterna
Scintillando
Come le stelle
Sia vivi
 Sia morti

*
 Pour C
 
Poem © Mirino (with thanks to Rob). Satellite image, by Nasa (The Milky Way) with thanks. January, 2013

Reflections






It may be a sign of the times that I haven't received the annual, prized envelop from David, to use as a clin d'œil to introduce a few words to celebrate the first day of the New Year, 2014.
He always manages to find an idea to scribble out on his addressed envelops to illustrate the mood in France, if not in Europe generally, regarding the year that has just ended.
As things seem even worse in France, it would be understandable if one is less inclined to bother to try to underline the fact in an amusing way. The bleak situation would hardly inspire this.

So, at least for the time being, we shall have to settle for a candlelit scene with Gatsby (the cat). This was taken before the oysters were opened and the Champagne uncorked.

Last year on the first of January, I wrote a long litany about the French political scene. As nothing has changed for the better, I would be repeating myself by expressing the same opinion of why, in my modest view, this is still the case.

But what has been particularly irritating during 2013 is the French government's tendency to use social issues to hide its incapacity to solve far more urgent matters. Thus the government led by the potely image of F. Hollande, marches as to war against mythic 'racism', also to rescue Madam Taubira the minister of Justice, (who was more a target of justified criticism for her laxist stance and ministerial incapacities than of any racism). Then there was the noble fight against 'homophobia', because according to the socialists 'mariage pour tous', (except for F. Hollande) is an honourable cause as well as a means of boosting the importance of the State, reducing the importance of the family, and trampling on the Church for good measure.

In fact the year ended with the ridiculous circus of trying to outlaw a mediocre comedian for alleged antisemitism. Hardly anyone had ever heard of the guy before, but now he has benefitted from free promotion thanks to the French government's ministers. They are even considering to outlaw the 'quenelle', a sort of salute that one pretends has Nazi connotations. Thus naturally this ambiguous salute, which I had never heard of before, has also been given a free boost.

It seems evident that the French government has no idea regarding basic pyschology. By shedding light on the obscure, on unimportant mediocrity, one not only brings it into light, one even gives it a greater reason of being. One is therefore responsible for encouraging whatever 'evil' one intended to quash.

From time to time F. Hollande and his government come up with formulas or pactes. They seem to think that pat phrases are remedies in themselves. The most important one announced by Monsieur Hollande during his televised New Year speech was 'le pacte de responsabilité'.
In a way it seems more like the shedding of responsibility. The idea is that the government is at last prepared to reduce to some extent the heavy charges and taxation that French companies have to contend with, but in exchange the companies have to employ more personnel. Obviously this is to try to reduce the disconcerting, ever increasing unemployment level in France.

Had Monsieur Hollande thought of this before he was elected, instead of pandering to the naive and the frustrated by declaring his populist intention of making the rich pay, naturally including any businesses that were still managing to survive the crisis, it may have already produced the desire effect during 2013. So it really seems to be an unrealistically belated proposition, simply because it should have been applied as soon as possible in 2012.

To make a simple parallel, it's seems to me as if one had a work horse that one fed and treated badly, to the point where the horse was no longer capable of doing the work expected of it. Finally exhausted the horse becomes very ill. Seeing the worsened state of things, the person responsible decides to give the horse a bit more to eat, but in exchange the horse must immediately get well, pull itself up in order to accomplish not only the work normally expected of it, but even more.

Hopefully. I'm wrong and that at last Monseur Hollande has begun to get things right, and that it's not too late. Hope is a wonderful thing. One cannot live or achieve anything without hope, providing that it's always tempered with realism.

So let's hope for a better year for everyone, with special, get well thoughts to those who need them most.

Happy New Year to everyone!

 *
 
Text and image © Mirino. January, 2014

Scottish myths 33


Beira, the Winter Queen

Beira was the all powerful Highland Queen of Winter. So powerful was she that it's said she was the mother of all the divinities of Scotland. But even so, she would always be thwarted by rebellious spring and the power of the King of summer, Angus of the White Steed, and his beautiful Queen Bride, who were certainly more appreciated than Biera ever was.

During the winter months Biera wasn't a pretty sight. She was a huge, one-eyed old hag. Her skin was deathly blue and her teeth were like old, rusty cogs. She was always intent on making winter in Scotland last for as long as possible, yet she was also responsible for making the many lochs, mountains and valleys, in an extemporaneous way.

She lived for thousands of years. In fact it seems strange that one refers to her in the past, for surely such a powerful old woman able to rejuvenate herself annually, would still be striding across the misty Scottish mountains even today.

If then she was once upon a time immortal, this would be due to her drinking the magic waters of the deep Well of Youth, a source found in the mobile, Green Island that mysteriously drifted about off the west coast of Scotland.
As summer was the only season on this magic, paradisiacal island, where there were orchards of apples, apricots, peach trees, Victoria plums, herbs, rhubarb and perhaps even a vin yard, as well as a vegetable plot where Irish potatoes would also have grown, one might think that the old hag was a paradoxical impostor. This because she used the pleasant magic of summer to obtain the power of youth to annually cast her cruel winters of mean frosts, snow and icy winds on the poor Highlanders for as long as she could.

Only Beira knew where to find the Green Island. Ancient mariners tried to find it, but always in vain. Those who almost succeeded were deprived of the privilege by Beira herself, who would cough up a thick shroud of phlegmy mist to hide the island. Then leering wickedly she would paddle it elsewhere with her huge hands, so enormous was she.

It has also been said that Beira had to drink the magic water as it rose up from its source on the first day of spring at dawn. If however a bird or a dog drank the water before her, she would collapse and crumble into a horrid heap of noxious dust. As there were no dogs on the island, the risk was reduced, but there were Puffins, Cormorants, Oyster-catchers and sooty Terns, none of which were particularly interested, especially the terns who had more pleasant things to do, even in flight.

So Beira was always able to regain her youth from drinking the magic water. On her return to the Highlands she would sleep in a mountain cave near Ben Nevis until the start of summer, then she would wake up once more as a young, beautiful, but exceptionally gigantic girl.

Time, however, takes its toll, especially in Beira's case. For her each month had the aging effect of about fifteen years. By winter time she had regained once more the appearance of the ugly old hag that she really was; the dreaded, one-eyed, grey clothed Queen Beira of the winter season.

Biera used a great sledge hammer to sculpt the mountains. She was no meticulous, sensitive artist, but there is nevertheless a great deal of rugged charm in the random results. She formed the lochs and the bens, more often than not by chance, but this she would never have admitted. Thus lochs such as Loch Awe were born.

Biera had several maids who greatly feared her. She also had a few sons, although only the ancient Scottish divinities would know who their giant father was. But it would follow that if he had been totally enchanted by the beautiful rejuvenated Biera, he would have been understandably repulsed by the frigid, one-eyed, Winter Queen result.

The giant sons were ill-bred. They often argued stupidly and always ended up by throwing great slabs of mountain and boulders at each other. These can still be seen today covered with moss and deeply embedded in the hill-sides of Inverness as well as in other regions of Scotland further west.


Biera spent a great deal of time on Ben Nevis. In fact her cold, cushionless throne was hewed within the mountain itself. From the ben's snow covered peak, she was able, even with only one eye, to see far and wide to ensure that all was as she had ordained.
In the shire of Inverness there was a certain well which Biera always insisted should be covered at night. This was the duty of Nessa, one of the Winter Queen's maids.
One evening, arriving too late to cover the well, Nessa discovered great surges of water gushing forth from it. Fearing the consequences, and totally nescient of basic hydraulic science or plumbing procedures, she ran away. And all this Biera clearly saw.

The Winter Queen angrily accused Nessa of neglecting her duty, and she cast a hydorous spell upon the poor maid:  'Now you will run for ever', she decreed. Upon which Nessa became the mountain source, the loch, and the sea-bound river. And thus Loch Ness was born.

As Biera built the mountains of Scotland, she often carried with her an enormous creel filled with great rocks, huge boulders and shaley earth. As she awkwardly leapt across the lofty, misty crags, she would often trip over spilling the contents of her creel to form hills, valleys, lochs and islands. These have since been referred to as 'spillings from the creel of big old Biera'.

This was also how Little Wyvis was formed. Biera, engrossed in building Ben Wyvis, grew tired and stumbled thereby shedding what was left in her creel to produce the Wee Wyvis.

There are other tales of Biera, for it's said that she was followed by all forms of wild life who never feared her. In early winter she would milk the hinds on the mountain tops. The froth blown from the pales would freeze all about her, and later when torrents cascaded down the mountain sides, the Highlanders would say 'Big old Beira has milked her hinds'.

In Irish and Scottish mythology the Cailleach, also know as Cailleach Bheur, is another name for the divine winter hag of Scotland. Biera fights the spring and wields a magic staff that freezes the ground. She would wash her huge shawl Féileash mòr in the whirl-pool of Coire Bhreacain. This would take three days and it heralded the cruel tempests of winter. Even without soap-powder or bleach, the washing of the shawl caused it to become pure white, and then it would cover the Highlands as snow. 

Yet the great and fearful Beira, as she grows older and weaker, no longer has enough power to ward off the spring. But she always manages to reserve just enough strength to return to the Green Island, to regain her lost youth by drinking the magic water once more to be able to renew the seasonal cycle.

The wild, rugged and special magical beauty of Scotland can only be due to Beira and her clumsy, aggressive sons. Such is the paradox of Winter Queens, Gods or Nature, although by their own laws they could never regard their efforts as accidental.
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  Scottish myths 34 
Scottish myths 32

Retelling and top image © Mirino. Source- Wonder Tales from Scottish Myths and Legends, with many thanks. Second image- Ben Nevis summit by David Crocker, with grateful thanks, also to Wikipedia Commons.                         December, 2013

The Christmas Fox




Sneaking in the farm-yards
Tramping in the snow,
The sly fox O'Farly
Knows just where to go

For festive occasions
In cunning disguise
The best of the season
Are bagged by surprise.

Joyous celebrations
Fare to take away,
Yule-tide comforts
To share on Christmas day



*

Se faufilant dans les basse-cours
Glissant à travers la neige,
Le renard O'Farly
Connaît tous les pièges.

Pour les fêtes à l'occasion
En tenu convenable
Les meilleures de la saison
Sont toujours saisissables.

Célébrations joyeuses,
Chère à emporter,
Un régal de Noël
Parfois même à partager.



*

Merry Christmas to everyone who reads this, as well as to everyone who doesn't. For the New Year, let's be philosophical. It can wait until it's cue. Man, after all, devised chronology, essential to the discipline of history. And many of us like to think that it's not the years that matter in any case.

O'Farly, the Christmas fox, could be the last of the 'animal series'. They also belong to their own time, but it would be nice to believe, also in their case, that it's not years that matter. 
 __

 Doggerel and image © Mirino (PW). December, 2013

Lost



The deaf sometimes get disorientated. It has something to do with balance and vertigo. For example they can wake up in the middle of the night for a natural reason, and in the darkness they can't find the door. They grope around in the bedroom trying to recognise things by feel in the hope of getting their bearings, but all in vain. When the dear person you've wakened with all the noise you've made by blundering about, finally puts a light on, you're surprised to find that you are in front of the cupboard, with your back to the door you were intent on finding, and that the image of your reflection on the cupboard's full size door mirror reveals your abysmal, hopeless and ridiculous state.

It thus stands to reason that 'getting lost experiences' for such people, amount to nightmares. Deaf dreamers are the worst sufferers. They are the ones who can't find their cars in the multi-storied, multi-galleried car-parks. Believing they know where the right metro is, they are capable of walking miles in the wrong direction in New York City. Or, after managing to return by metro, confident they know how to get back to the apartment where they are the privileged guests, they get wretchedly lost and are obliged to walk the long blocks of Harlem on a tiresome 'gradual elimination of all possibilities' basis.

It was when, many years ago, I was despairingly lost in the then newly laid-out suburbs of Amsterdam that I had a serious car accident. I had just imported my immaculate, black, vintage 1953 Standard Eight from England. It was about three thirty in the morning after a modest drinking spree with friends, and apparently a vehicle came at projectile speed from the right and wrote off my poor car and very nearly poor me in the ruthless process. To add insult to injury, when after several weeks the ziekenhuis finally discharged me, I had to go to court where, all in Dutch, I was judged, found guilty and heavily fined for not having given the maniac priority, even though I must have been crawling along at a snail's pace, trying to figure out where in hell I was.

Such a brutal, unexpected experience would tend to increase the nightmarish horror of getting lost. Consequently, when I have nightmares they more often that not plunge me into a variety of hopeless and miserable situations of utter disorientation.

To relate the most recent one as an example. It began in a very large, old house that in fact I know very well. So well that over several years of another chapter of my life, I did a great deal of work there contributing with love and dedication to keep the house from falling to wrack and ruin. I imagine that I also left a good deal of myself there in the process.

However, in my dream the house was in a terrible state. There were torrents of ghastly clods of bubbling yellowy grey muck or clay pouring down a front stair-case that in reality never existed. I half-heartedly tried to disengage where the turdish mire was accumulating at the foot of these lofty stairs, but this was ineffective because the house was slowly sinking backwards like the Titanic. The repulsive liquid mud or whatever, wasn't flowing away anywhere at all, it was constantly rising.

The owner of the house and former consort had her back to me as she too stood in the quagmire. She was in front of a large, old white sink situated half in the open and half inside, busy doing something as though she was oblivious to what was happening or not particularly bothered about it. I made a black-humoured remark which she quite rightly ignored, and then I left.

I had a strange little dog on a lead with me. It irritated me. It was a bit like a red squirrel, small, thin and scraggy. The sort of timid, brainless animal that inspires no affection. It must have been 'ours' however, because in spite of my lack of fondness for it, there was unfortunately no question of abandoning it. But from then on I was lost. It could have been Amsterdam. At one time I found myself in endless galleries of carpeted clothes stores gazing ahead, walking fast, desperately trying to find the way out. Eventually I even succeeded. The exit was an old, dilapidated, metal spiral staircase leading down. It had once been painted a horrible faded yellow, like that of an old ship (the Titanic)?. There were now other people who seemed to be almost as lost and as doomed as I was.

We were all going down the spiral stairway looking for a way out, with me dragging along the poor squirrel dog, whipping it round the spiral of the stairs as if it were an embarrassing ugly rag doll on a string. I was very worried because my companion and I had been invited by friends for lunch and it was already very late. I knew she would have wanted to contact me, but I didn't even have my mobile phone with me. Suddenly we came to a part of the spiral stairs where it had rusted away and  disintegrated. Below was the dark, infinite abyss of nothingness, so we had to go back up again. At a certain turn where there was a glimmer of daylight, one could see what looked like an exterior car park. There was a covered ladder and bicycle blocking a space above, one of the many oblong sea-vessel type of openings with rounded corners of the staircase. The opening was big enough to squeeze through to get to the car park. A woman pushed the obstacle away to free the space, and I assume we all got out.

That's when I awoke. I suppose I remember the dream, because the problem wasn't solved. Although awake, and very thankful for no longer finding myself in that hopeless, infernal situation, essentially, as far as the dream is concerned, I must still be lost. So it appears that some sort of underlying problem remains to be solved. This, even though there are irremediable problems that deaf dreamers always have to contend with.

Perhaps one wouldn't need to be an expert to analyse some aspects of this dream. There are clues. For example assuming that- 'I also left a good deal of myself there in the process'. In view of the sinking of the old house, a good deal of me would thus be sinking with it. Also irrevocably lost.
One might include the factor of being deracinated, also irremediable. And could there not be some onomatopoeic correlation between the evocation of the Titanic and tinnitus? The whispering galleries, or jumbo jet galleries of the mind. Interminable, relentless, brain-sound that haunts you whether you are asleep, awake, or perhaps even dead! And the dog: a tiresome, embarrassing but unavoidable duty. A lightweight ball and chain.

But then again it could all be a load of mentally regurgitated rubbish caused by the previous evening's gluttony, in which case I would already be proving myself to be disloyal in trying to give priority to quality, etc.
Whatever, one can always hide behind 'artistic licence'. In this case, fully liberated once more, I can go to sleep tonight with a smile before getting hopelessly lost in yet another dream.
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Text and image (watercolour, modified) © Mirino, December, 2013

Décembre



C'est rare de voir une telle luminosité des couleurs des feuilles en plein décembre, mais c'est un beau cadeau, comme les chanterelles cette année. Tant que le gel ne les empêche pas de venir tout d'un coup et si abondantes. Elles chantent leur gloire pour le bonheur et le régal des connaisseurs, ainsi donnant aux sauces ce gout exquis si spécial.


Mais ces feuilles de chênes de montagne deviendront un or bien plus terne dans seulement quelques jours.
L'esprit de la Nature est plus large et généreux que celui de l'homme. Ici on respire. On se sent plus libre. Ici on se moque des bêtises des prétentieux.


Ici tout est dans sa juste place et dans sa propre perspective. Ce que l'on voit n'est jamais une illusion, même si cette réalité toujours en constante évolution est en partie relativement éphémère. Et c'est justement cela qui nous fait comprendre ce que c'est la vie.


Par rapport avec ces anciennes montagnes, les détails voilés par ce bleu sublime d'ombre et de lumière réfléchie, la vie d'un homme n'est pas grand chose. Et en regardant l'étendue du ciel superbe, sans être obligé d'aller au delà, on est aussi rappelé de notre modicité.


Cette appréciation, n'est elle pas l'essence, les racines de toutes les religions?
Par rapport avec les merveilles infinies de l'univers, que vaut finalement l'homme? Que vaut sa piètre vanité? N'est elle pas beaucoup plus fade et démérité que la couleur d'une simple feuille de chêne? Et pourtant cette vanité injustifiée est bien moins éphémère.


Encore quelques petites pensées évoquées par une journée splendide dans les montagnes. Des convictions déjà exprimées, convictions qui remontent encore elles aussi avec l'altitude pour rassurer et calmer l'esprit parfois un peu confus et désemparé.


La Nature, qui doit forcément comprendre la nature humaine, ne reconnait pas le hasard. Il y a donc une raison pour tout.
Patience. La vie est tellement belle. C'est aussi une conviction, et ces images devraient aussi pouvoir l'attester.


Text and photos © Mirino (PW). December, 2013